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<title><![CDATA[EDITORIAL]]></title>
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<description><![CDATA[<br />Jan  1, 1989; 1:1-2<br />Editorial]]></description>
<dc:date>1989-01-01</dc:date>
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<dc:title><![CDATA[EDITORIAL]]></dc:title>
<dc:publisher>Oxford University Press</dc:publisher>
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<title><![CDATA[Det kongelige danske Kunstkammer 1737. Register / The Royal Danish Kunstkammer 1737. Index]]></title>
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<description><![CDATA[<br />Jan  1, 1999; 11:125-125<br />]]></description>
<dc:date>1999-01-01</dc:date>
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<dc:title><![CDATA[Det kongelige danske Kunstkammer 1737. Register / The Royal Danish Kunstkammer 1737. Index]]></dc:title>
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<title><![CDATA[NOTES AND CALENDAR]]></title>
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<description><![CDATA[<br />Jan  1, 1990; 2:93-93<br />Notes and Calendar]]></description>
<dc:date>1990-01-01</dc:date>
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<dc:title><![CDATA[NOTES AND CALENDAR]]></dc:title>
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<title><![CDATA[THE MUSEUM: ITS CLASSICAL ETYMOLOGY AND RENAISSANCE GENEALOGY]]></title>
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<description><![CDATA[PAULA FINDLEN<br />Jan  1, 1989; 1:59-78<br />Articles]]></description>
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<title><![CDATA[THE MUSEUM AND THE BOOK: The Metallotheca and the history of an encyclopaedic natural history in early modern Italy]]></title>
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<description><![CDATA[ALIX COOPER<br />Jan  1, 1995; 7:1-23<br />Articles]]></description>
<dc:creator>ALIX COOPER</dc:creator>
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<dc:title><![CDATA[THE MUSEUM AND THE BOOK: The Metallotheca and the history of an encyclopaedic natural history in early modern Italy]]></dc:title>
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<title><![CDATA[THE IMAGE OF THE HOTTENTOT IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES]]></title>
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<description><![CDATA[EZIO BASSANT<br />Jan  1, 1990; 2:157-186<br />Articles]]></description>
<dc:creator>EZIO BASSANT</dc:creator>
<dc:date>1990-01-01</dc:date>
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<dc:title><![CDATA[THE IMAGE OF THE HOTTENTOT IN THE SEVENTEENTH AND EIGHTEENTH CENTURIES]]></dc:title>
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<title><![CDATA[The cabinet of King Serfoji of Tanjore: A European collection in early nineteenth-century India]]></title>
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<description><![CDATA[Indira Viswanathan Peterson<br />Jan  1, 1999; 11:71-93<br />Articles]]></description>
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<dc:title><![CDATA[The cabinet of King Serfoji of Tanjore: A European collection in early nineteenth-century India]]></dc:title>
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<title><![CDATA[HIGH ART AND NATIONAL SOCIALISM, PART I: The Linz Museum as ideological arena]]></title>
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<description><![CDATA[MONIKA GINZKEY PULOY<br />Jan  1, 1996; 8:201-215<br />Articles]]></description>
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<dc:title><![CDATA[HIGH ART AND NATIONAL SOCIALISM, PART I: The Linz Museum as ideological arena]]></dc:title>
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<title><![CDATA[THE EXECUTORS' ACCOUNT BOOK AND THE DISPERSAL OF SIR PETER LELY'S COLLECTION]]></title>
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<description><![CDATA[DIANA DETHLOFF<br />Jan  1, 1996; 8:15-51<br />Articles]]></description>
<dc:creator>DIANA DETHLOFF</dc:creator>
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<dc:title><![CDATA[THE EXECUTORS' ACCOUNT BOOK AND THE DISPERSAL OF SIR PETER LELY'S COLLECTION]]></dc:title>
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<title><![CDATA[HIGH ART AND NATIONAL SOCIALISM, PART II: Hitler's Linz collection: acquisition, predation and restitution]]></title>
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<description><![CDATA[MONIKA GINZKEY PULOY<br />Jan  1, 1998; 10:207-224<br />Articles]]></description>
<dc:creator>MONIKA GINZKEY PULOY</dc:creator>
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<dc:title><![CDATA[HIGH ART AND NATIONAL SOCIALISM, PART II: Hitler's Linz collection: acquisition, predation and restitution]]></dc:title>
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