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Journal of the History of Collections Advance Access originally published online on March 3, 2008
Journal of the History of Collections 2008 20(2):291-303; doi:10.1093/jhc/fhn001
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© The Author 2008. Published by Oxford University Press. All rights reserved.

Collecting Asian art, defining gender roles

World War II, women curators and the politics of Asian art collections in the United States

Chelsea Schlievert and Jason Steuber


  Abstract

This paper explores collecting and collections of Asian art during World War II to illustrate how women temporarily assumed leadership roles in American museums. It details abrupt changes experienced by museums following the departure of men in these traditionally male-dominated professions. For example, understood to be the ‘right man at the right place’ at the Nelson-Atkins Museum, Ruth Lindsay Hughes was appointed Acting Curator of the Oriental collection in 1942 after Curator Laurence Sickman was called to active service. The chronicled museum activities, showing how Hughes fashioned the Asian art and acquisitions combined with how she utilized the collection in the home front's wartime efforts, illustrate changes in the ways collections were curated and interpreted. Within this framework, the lens of gender brings into focus the wider context of how American collections of Asian art were incorporated into the complicated international war effort involving politics, dealers and museums.

Address for correspondence Chelsea Schlievert, Photography Department, The Nelson-Atkins Museum of Art, 4525 Oak Street, Kansas City, MO 64111, USA, and Jason Steuber, Cofrin Curator of Asian Art, Samuel P. Harn Museum of Art, University of Florida, P.O. Box 112700, Gainesville, FL 32611, USA. cschlievert{at}nelson-atkins.org; jsteuber{at}harn.ufl.edu


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